by Cyle Young @CyleYoung
TWEETABLE
Cyle Young is thankful God blessed him with the uniqueness of being an ADD-riddled…SQUIRREL!...binge writer. Not much unlike the classic video game Frogger, Cyle darts back and forth between various writing genres. He crafts princess children’s stories, how-to advice for parents, epic fantasy tales, and easy readers.
Great authors write using
the five senses. They are masters of drawing their readers deeper into the
world, scene, or setting of a story by embracing the intricacies and subtleties
of the five senses.
The senses of sight, sound,
touch, taste, and feel are available to almost all writers. Utilizing proper
description of each of the five sense in your manuscript will greatly improve
your story, and will drastically improve your chances of getting your
manuscript published.
In the modern world sound is
everywhere. You can’t get away from it. Popular studies have shown that
spending just thirty-minutes
in a room void of sound can drive a person crazy and cause them to
hallucinate. It is near impossible to find an area with an absence of sound.
You cannot avoid even the faintest whirr of air-conditioning fans blowing, the
tick of a clock, or even your own heart, and neither can the characters in your
manuscript.
Sound is everywhere, even in
your made up reality contained within the pages of your story. The reality of
this is a great benefit to your writing. Your readers know and experience those
same sounds in their daily lives. It gives you common ground from which you can
connect your scene or setting with the mind of your target audience.
As an exercise take
sixty-seconds and write what you hear in the scene shown in this picture.
What did you hear?
Did you hear the metallic
clash of the blacksmith’s hammer pounding against the red-hot metal? Most
people do.
What about the laborious
grunts emanating from the blacksmith as he exerts all of his effort into
reshaping the metal? Not as many people hear that sound when they look at this
picture. You have to look deeper. Put yourself into the scene to see it.
Can you hear the singing
sounds of sparks blasting away from the impacts?
What about the sizzle of the
blacksmith’s sweat as it drops from his forehead onto the molten metal?
Or the scrunching of thick
leather in the blacksmith’s apron as he moves and twists?
Look again at the picture
and picture yourself in the scene. Close your eyes and experience the
blacksmith working. What do you hear?
Hopefully, your mind allowed
you to embrace the setting in a unique way. Maybe you heard the roar of the
fire just outside the picture, or the screeching of metal as the blacksmith
readjusts his grip on the hot metal using the tongs.
Did you hear an assistant
chattering in the background? Or music playing on an old radio?
If you didn’t hear any of
these things, don’t worry. It takes practice. But the more you open your mind
to the reality of the sound around you, the more you will be able to describe
it in your manuscript and pull your reader further into your story.
Take one last look at the
image and write in the comments something unique that you can “hear” in the
setting, that you didn’t already hear the first two times.
I can hear the smith muttering a prayer for God to guide his hands in completing what seems to be a delicate task.
ReplyDeleteThank you, Cyle for a great article on using our senses to give depth to our characters and our story world.
Henry,
DeleteVery good perception on the situation in the image!
Cyle
Cyle, this reminds me of what I used to tell my writing students: Don't TELL me what you hear; make ME HEAR it! Don't tell me about the smell, taste, etc.; make ME smell, taste, etc. (One student turned in his next essay with a scratch-n-sniff sticker attached!) Thanks for this important reminder.
ReplyDeleteDennis, that is too funny. Thanks for sharing.
DeleteThank you, Cyle, for this practical lesson. As a new writer I needed this. God bless you as you continue to serve Him.
ReplyDeleteThanks, Cherrilynn!
DeleteAs I read this, I'm about to head Up North (that's an actual place in Michigan, you know) for a bit of turkey hunting. We drop the trailer on state land. No campgrounds. It's amazing how in-tune your senses become when you're alone in the middle of nowhere. You're right, aside from the vacuum of space, there is no silence. If you've ever stood in the woods at night and listened to snowflakes hitting the ground, you know what I mean.
ReplyDeleteGood post, Cyle.
I love listening to heavy snowflakes fall... one of my favorite things.
DeleteCyle, thanks for the great post. You heard things I didn't. But I did hear the clank of metal hitting metal when he tossed his finished piece onto the pile of his previously finished work.
ReplyDeleteI love the sound you heard. I didn't think about a pile of finished metal. :)
DeleteThanks for the post, Cyle. It's worth taking a listen: Sometimes, profound silence speaks even louder...
ReplyDeleteThank you, Linda.
DeleteGreat post, Cyle. I hear the rhythmic clatter of horses hooves dancing across a cobblestone street. A church bell clangs in unison with the gentle swishing of rustling leaves in the wind. The sweet impish pitch of children singing familiar songs mingles with the distant chime of a woman's laughter. :)
ReplyDeleteJoann,
DeleteWow. Great job going even further into the setting. These are great sounds that really develop the scene.
Cyle
Sound is always a great way to appeal to the reader. We often rely so heavily on sight that a different modality is exciting and interesting.
ReplyDeleteSight is the easiest, but not always the most profound.
Delete