by Bruce Brady @BDBrady007
Two types of writers in this world, outliners and intuitive! |
In the past year I’ve heard
a lot of writer discussions, and passionate arguments, about whether to outline
or not.
Some of you may be thinking,
“Well that’s a no-brainer.” But is it? Those who have taught and argued that
outlining is the best way to write range from beginning writers to editors to best-selling
authors. The same is true for those who advocate in favor of intuitive writing.
There are two types of
writers in this world. Those who map out their stories before they ever begin
(outliners), and those who hear the voices (intuitive writers).
Outliners
These tout
the virtues of knowing the end of their story before they begin. Once they have
their character profiles fleshed out and their plots clearly defined, the hard
work is done. They can start spinning their stories as dictated by the outlines.
They claim that this method calls for fewer rewrites.
Intuitive
These writers
start with story ideas that may not have clear plots, or even clear endings.
They could use outlines for clarity, but feel that doing so would restrict
flexibility. These writers dialogue with their characters and adjust their
stories based on conversations. Their first drafts are essentially an exercise
in free-flowing word association, which becomes their outlines for the
rewrites.
Whenever I try to outline, I
find myself asking “what if” questions that force me to create a whole new
outline—or at least modify the one I’ve started. Also, my stories come to me in
scenes that aren’t necessarily chronological, complicating the outline process.
These challenges usually stifle my creativity, and frustrate me to the point of
giving up.
So which process is best?
Personal experience and my
interactions with agents, editors and other writers have led me to the
conclusion that both are good. It’s like when my wife and I travel. She prefers
to know where we are going and where we’ll spend each night before we start. I prefer
allowing our journey to determine our destination and accommodations.
In other words, it’s not the
method but the writer’s personality that will determine whether outlining or intuitive
writing is best.
Both methods have their
merits and challenges. If you tend to think in terms of “First there’s A, then
B followed by C, you’ll probably do your best work by outlining. If, like me,
you’re often chatting with your characters and your stories don’t come in a
linear flow, then the intuitive approach is probably your best option. But
that’s just my opinion.
So which method do you
prefer? Why?
Don't forget to join the conversation!
TWEETABLES
When he’s not writing, Bruce spends time learning from and helping other writers. He serves as Mentor of Word Weavers International’s Online Chapter, and as a member of Cross ‘N’ Pens, The Writer’s Plot, ACFW’s National and South Carolina Chapters.
Connect with Bruce on his blog, The Write Voyage, Facebook, Twitter, Google+, and Pinterest.
I have to have somewhat of an outline - or a map of where I'm heading. But then I let the characters take over. Rachel Hauck coined the word Planster and it fit me perfectly. I have a plan, the I I SOTP it. But without the plan, I'm dead in the water.
ReplyDeleteThanks Ane. I must admit that although I favor the intuitive route, I have to incorporate some aspects of outlining. It's the whole process of outlining that dulls my creativity and motivation.
DeleteI'm intuitive/organic/seat-of-the-pants writer! Love to live the life of my characters with them - but I have to know the character first.
ReplyDeleteThanks DiAnn. I think knowing the character is more important than outlining. When I struggle, it's because I don't know my character well enough.
DeleteDiAnn said it perfectly. Using an outline would be like writing with handcuffs . . . at least for me. :) Everyone has a little different approach, and it's freeing to know there is no right or wrong way -- just different. That's why God made us all unique.
ReplyDeleteThanks Andrea. You nailed it. Uniquely we're made and uniquely we write. If there were only one or two "right ways." we'd all sound alike.
DeleteThanks for this, Bruce. I've heard a lot of writers talk about their characters talking to them and making them change the story. I couldn't understand it. It made me think I'm not a real writer too. It's good to hear people are just different, not right or wrong.
ReplyDeleteThanks Ellen. There really is no right or wrong. We each have our own right or wrong, and that's all we need. This doesn't nullify the need to learn the different processes, it just helps us glean from them what's important to us individually.
DeleteIt's nice to meet another SOTP/Intuitive Writer. :)
ReplyDeleteI generally know the beginning and end of my stories, but getting from Point A to Point Z is a vast mystery. Outlining, character charts, and all the other devices plotters use have the effect of tying my brain in knots.
Thanks Susan. I'm with you. I too get bogged down in the middle. I plan to read James Scott Bell's "Write Your Novel From The Middle."
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